Copy Protection scheme blows up in Sony
BMG’s face
by Alan Zisman (c) 2005 First published in
Columbia
Journal December 2005 CJ-Tech column

For
the past year, Sony BMG and other large music companies have been
experimenting with variety of different copy-protection schemes on some
of their more popular CD releases, in an effort to prevent users from
‘ripping’ the songs onto their computers and
‘sharing’ them online. Users discovered that some of the
early copy-protection schemes could be outwitted as simply as drawing a
thin felt-pen line around the outside of the CD; as a result,
copy-protection schemes (referred to in the industry as Digital Rights
Management- DRM) have grown increasingly draconian.
Sony BMG CDs from artists including Van Zandt, Rosanne Cash, Celine
Dion, and Neil Diamond included XCP copy-protection software licensed
from First4Internet. On a Windows system, playing these CDs
automatically installed software (known as a ‘root kit’)
that ran invisibly to limit the ways in which the songs could be played
and copied (making it impossible to add these songs to an iPod, for
example) and to communicate to Sony about music played on that
computer. Attempts to disable the software could make the
computer’s CD drive stop working. Moreover, the root kit (a
technique increasingly used by spyware and virus creators) left the
computer open to attacks. The XCP software was installed whether or not
consumers agreed to the license agreement that popped up when the disc
was first installed.
Sony has been using the XCP copy-protection technology for most of
2005; the company ignored problems pointed out by anti-virus vendor
FSecure. On Halloween, security researcher Mark Russinovich took the
issue public. Within a week, at least two viruses appeared that took
advantage of the security hole opened by the XCP root kit.
At first the company tried to tough it out: president Thomas Hesse
claimed "Most people don't even know what a root kit is, so why should
they care about it?” A company-released patch simply increased
the security risks. After news of the viruses, (and the filing of
several class action lawsuits—including Texas’s attorney
general asking for $100,000 for each violation of the state’s
Consumer Protection Against Computer Spyware Act) on November 14, Sony
agreed to pull all affected CDs from stores (some 4.7 million) and
replace the 2.1 million copies already purchased. By mid-month,
security software from Norton, McAfee, and Microsoft identified the XCP
software as a hazard (though some wonder why this problematic software
wasn’t identified prior to the public outcry).
Check the back of recent Sony CDs for a box reading “Compatible
With” including the URL:
http://cp.sonybmg.com/xcp. At
least
120,000 such CDs were sold in Canada.
Despite the recall, Sony and other music companies continue to use
other DRM software; SunComm’s MediaMax software (also identified
on CD labels) for example, also reports on what CDs and music files are
played on the computer. As if this weren’t bad enough,
installation of multiple types of DRM could make your computer more
unstable and crash-prone.
Simply turning off the Windows autoplay feature prevents the
installation of many of these copy protection schemes. (See:
http://www3.ca.com/securityadvisor/pest/collateral.aspx?cid=76351
for
instructions). And once again, Mac and Linux users get to sit back and
chuckle: these nasties (like most viruses and spyware) are
Windows-only; Mac and Linux users can freely play the affected CDs, and
even produce versions free of the copy protection.
Ironically, in attempting to protect its ‘intellectual
property’, Sony’s software seems to have infringed on the
license of the open source LAME encoder, used in the XCP software. With
Sony’s virus-like software found on computers owned by the US
Department of Defense, presumably Sony could be prosecuted under US
criminal law. (Don’t hold your breath; while Stewart Baker of the
Department of Homeland Security warned the company: “…it's
your intellectual property -- it's not your computer” Utah
Senator Orin Hatch noted that damaging someone’s computer "may be
the only way you can teach somebody about copyrights.")
Some media reports initially suggested that sales of the CDs involved
were not affected. But Business Week noted that on November 2nd, Van
Zant’s ‘Get Right with the Man’ CD ranked a
respectable #887 on Amazon.com’s list of top-sellers—not
bad for a 6 month-old release. By November 22, the copy protected title
plummeted to #25,802. (With Sony’s recall, the CD is now listed
as ‘unavailable’). Terry McBride, president of
Vancouver-based Nettwerk notes: "The average consumer who's not
tech-savvy is going to buy the CD, thinking that they can load it onto
their iPod ... They're going to be royally pissed off… Why do
you want to piss off the people who buy?"
Damian Kulash, singer for the band OK Go wrote an op-ed piece for the
NY Times stating: “I certainly don't encourage people to pirate
our music…. But before a million people can buy our record, a
million people have to hear our music and like it enough to go looking
for it. That won't happen without a lot of people playing us for their
friends, which, in turn, won't happen without a fair amount of file
sharing. As it happened, for a variety of reasons, our label didn't put
copy-protection software on our album. What a shame, though, that so
many bands aren't as fortunate.”
The story isn’t over; Sony hasn’t taken any action
concerning the 20+ million CDs released with the (still spyware but
non-root kit) MediaMax copy protection software, and other labels
releasing protected CDs seem to be getting away with the practice, at
least for now.